Sanna Helena Berger
sanna@sannahelenaberger.com
Work

CONCRETE ARGUMENTS, Shahin Zarinbal, Berlin


Postural Fatigue, Baerum Kunsthall, Norway


A delectable edible silvercoated almond balancing just so on a plastic spoon
from which my daughter ate two flavours of gelato atop a monument in italy, XS, Spazio ORR

The edge must be scalloped, Diorama, Oslo

Glass door (Repräsentation), Waf Galerie, Vienna


The edge must be scalloped, Diorama, Oslo

The dichotomies of receptions, XS, Spazio ORR, Brescia

Der Ganz Normale Luxus, Neu Workshop, Hamburg

A sale, Brussels Art Weekend

The edge must be scalloped, Diorama, Oslo
A text about failure, Höjden, Stockholm

The edge must be scalloped, Diorama, Oslo

Oyster, PiK, Cologne

How to sell yourself (Businesscard with strand of hair)

XS, Spazio ORR, Brescia

Vienna, Cordova, Barcelona

Agency - a prelude to pseudo public spaces, Sorbus, Helsinki

A sequence which corresponds, Union Gallery, London

Vienna, Cordova, Vienna

Agency - a prelude to pseudo public spaces, Sorbus, Helsinki

The edge must be scalloped, Diorama, Oslo

Agency - a prelude to pseudo public spaces, Sorbus, Helsinki

SALE, PS120, Berlin

A sequence which corresponds, Union Gallery, London


The edge must be scalloped, Diorama, Oslo

The edge must be scalloped, Diorama, Oslo


Arbetstitel, Delfi, Malmö

A stock-take, Super, Berlin

Vienna, Cordova, Barcelona

A sequence which corresponds, Union Gallery, London

Agency, Sorbus, Helsinki

A-formal, HFBK Gallery, Hamburg

The edge must be scalloped, Diorama, Oslo
A text about failure, amatter, Cittipunkt


SALE, Ps120, Berlin


Maybe there is a substitute to exhibiting, 1.1, Basel