Sanna Helena Berger
sanna@sannahelenaberger.com
Work
CONCRETE ARGUMENTS, Shahin Zarinbal, Berlin
Postural Fatigue, Baerum Kunsthall, Norway
A delectable edible silvercoated almond balancing just so on a plastic spoon
from which my daughter ate two flavours of gelato atop a monument in italy, XS, Spazio ORR
The edge must be scalloped, Diorama, Oslo
Glass door (Repräsentation), Waf Galerie, Vienna
The edge must be scalloped, Diorama, Oslo
The dichotomies of receptions, XS, Spazio ORR, Brescia
Der Ganz Normale Luxus, Neu Workshop, Hamburg
A sale, Brussels Art Weekend
The edge must be scalloped, Diorama, Oslo
A text about failure, Höjden, Stockholm
The edge must be scalloped, Diorama, Oslo
Oyster, PiK, Cologne
How to sell yourself (Businesscard with strand of hair)
XS, Spazio ORR, Brescia
Vienna, Cordova, Barcelona
Agency - a prelude to pseudo public spaces, Sorbus, Helsinki
A sequence which corresponds, Union Gallery, London
Vienna, Cordova, Vienna
Agency - a prelude to pseudo public spaces, Sorbus, Helsinki
The edge must be scalloped, Diorama, Oslo
Agency - a prelude to pseudo public spaces, Sorbus, Helsinki
SALE, PS120, Berlin
A sequence which corresponds, Union Gallery, London
The edge must be scalloped, Diorama, Oslo
The edge must be scalloped, Diorama, Oslo
Arbetstitel, Delfi, Malmö
A stock-take, Super, Berlin
Vienna, Cordova, Barcelona
A sequence which corresponds, Union Gallery, London
Agency, Sorbus, Helsinki
A-formal, HFBK Gallery, Hamburg
The edge must be scalloped, Diorama, Oslo
A text about failure, amatter, Cittipunkt
SALE, Ps120, Berlin
Maybe there is a substitute to exhibiting, 1.1, Basel