Sanna Helena Berger
sanna@sannahelenaberger.com
Work


CONCRETE ARGUMENTS, Shahin Zarinbal, Berlin





Postural Fatigue, Baerum Kunsthall, Norway





A delectable edible silvercoated almond balancing just so on a plastic spoon
from which my daughter ate two flavours of gelato atop a monument in italy, XS, Spazio ORR





The edge must be scalloped, Diorama, Oslo



Glass door (Repräsentation), Waf Galerie, Vienna







The edge must be scalloped, Diorama, Oslo


The dichotomies of receptions, XS, Spazio ORR, Brescia



Der Ganz Normale Luxus, Neu Workshop, Hamburg



A sale, Brussels Art Weekend



The edge must be scalloped, Diorama, Oslo



A text about failure, Höjden, Stockholm



The edge must be scalloped, Diorama, Oslo



Oyster, PiK, Cologne



How to sell yourself (Businesscard with strand of hair)


XS, Spazio ORR, Brescia



Vienna, Cordova, Barcelona



Agency - a prelude to pseudo public spaces, Sorbus, Helsinki





A sequence which corresponds, Union Gallery, London



Vienna, Cordova, Vienna



Agency - a prelude to pseudo public spaces, Sorbus, Helsinki



The edge must be scalloped, Diorama, Oslo



Agency - a prelude to pseudo public spaces, Sorbus, Helsinki



SALE, PS120, Berlin



A sequence which corresponds, Union Gallery, London





The edge must be scalloped, Diorama, Oslo



The edge must be scalloped, Diorama, Oslo





Arbetstitel, Delfi, Malmö



A stock-take, Super, Berlin



Vienna, Cordova, Barcelona



A sequence which corresponds, Union Gallery, London



Agency, Sorbus, Helsinki



A-formal, HFBK Gallery, Hamburg



The edge must be scalloped, Diorama, Oslo



A text about failure, amatter, Cittipunkt





SALE, Ps120, Berlin





Maybe there is a substitute to exhibiting, 1.1, Basel